Who is Jonathan Brightman and some of his achievements? How hard have you find it to get Black Robot noticed and do you have any advice for young bands out there starting out in the industry? Jonathan Brightman: It’s very hard. It feels like carrying a load of boulders on your back uphill in the rain both ways!!! My advice to new bands: Be relentless. Did the album take long to put together, as I know that you had been planning Black Robot for some time? Jonathan Brightman: The main body of the record was done in a few weeks. We added a few songs to the second version of the record. But overall we don’t like to put too much time into over thinking things. If it rocks, you pretty much know right away.
Jonathan Brightman and Buckcherry: Buckcherry is an American rock band from Anaheim, California, formed in 1995. The band released two albums, Buckcherry (1999) and Time Bomb (2001), before dissolving in 2002. In 2005, lead vocalist Josh Todd and lead guitarist Keith Nelson reformed Buckcherry with a new lineup and released a new album in 2006, 15. It contained Buckcherry’s biggest crossover hits to date, “Crazy Bitch”, and their first Billboard Hot 100 top ten hit, “Sorry”. Their fourth album, Black Butterfly, was released in 2008, and their fifth album, All Night Long, was released in 2010. Buckcherry released their sixth album, Confessions, in 2013, followed by their seventh album Rock ‘n’ Roll in 2015.[2] They released their eighth album Warpaint in 2019.
Black Robot is a California-based hard rock band formed in 2008 by bassist Jonathan Brightman (JB). Brightman recruited Detroit-bred front man Harold Johns on vocals and Black Robot recorded their debut in 2008 with Grammy winning producer Dave Cobb (Chris Stapleton, Shooter Jennings, Rival Sons). Former Buckcherry alumni Devon Glenn & Yogi Lonich and legendary keyboard session player Fred Mandel (Queen, Alice Cooper, Pink Floyd) make guest appearances on the album. In 2009, guitarists Andy Andersson & Staffan Österlind and former Hot Sauce Johnson / Rumblefish / Earshot drummer Possum Hill were added to the line-up. The band has been described as a “new powerhouse” and “good ol’ rock ‘n’ roll influenced by acts like Led Zeppelin, AC/DC, Black Crowes and the Rolling Stones”
One of the best covers ever, in my opinion, is your cover of JJ Cale’s “Cocaine”. It seems to suit your sound perfectly; did you consider covering any other songs? Jonathan Brightman: We just stumbled into this cover and decided to include it on our record. It would be fun to do any number of Beatles songs…in our own way, of course.
Over the past years Brightman Music has been a top Producer Management firm based in Southern California with a presence in New York City and Nashville, Tennessee and London, England. We represent some of the recording industry’s most highly recognized award winning producers, mixers, songwriters and engineers as well as tomorrow’s game changers. We hold a unique emphasis and proven track record on the discovery and development of groundbreaking chart-topping new artists. Our clients work with artists and record labels, big and small from every corner of the globe. We celebrate musical diversity and support artists of all genres. Find more details at Jonathan Brightman.
How long after the demise of Buckcherry did you begin working on new music? Jonathan “JB” Brightman: The way this happened…right after I left Buckcherry Huck (Johns, singer) was moving to Los Angeles. I had made friends with him and we just started writing. So we had written some songs, but there was no agenda to create a band. What Huck and I really intended to do was to have Yogi (former Buckcherry guitarist) and Devon (former Buckcherry drummer) in the band, but that didn’t really work out. I needed some time away from what would become Black Robot. When it came time, I called Yogi and Devon and said to them, “Let’s just go in the studio for two weeks and let’s make a record.” I didn’t have any expectations. I wanted to get in the studio, record, have a good time and if a great record came out of it then we’d release it. It was no pressure.
