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Most watched Amazon Prime movies online 2022? If you’re wondering why this family-friendly movie is on this list, it’s because Spy Kids has received a lot of praise for its clever narrative. Also, despite being a kid’s movie, it’s a riveting watch for adults. Gregorio and Ingrid, two agents from different spy agencies who fall in love and start a family, are brought to life by the movie’s must-see sets and visual tricks. Years later, the former spies are added to the MIA list after a string of disappearances. Carmen, 12 years old, and Juni, 9, work together to safeguard them from oncoming danger. Find more details at Movies and TV Series Online.

One offering that does stand out is Fire in the Sky, the fictionalized account of the supposed alien abduction of forestry worker Travis Walton in 1975. The film approaches its premise with cold, dispassionate seriousness, carrying itself like an attempt at documentary, which helps to make a situation that could have been laugh inducing into one that is genuinely terrifying at times. Some of the “abduction” tropes established here, such as a craft shooting a beam of light that levitates a person into its interior, became well established in the UFO/alien film genres, to the point that they’re now practically universal. The “probing” sequences, meanwhile, were among the first of their kind in film, and are truly disturbing in their clinical detachment—the aliens don’t look at Travis like he’s a living creature, but just a screaming piece of meat to be poked and prodded. If you’ve ever been at all creeped out by the thought of alien abduction, it’s guaranteed to make you squirm.

A few words on streaming services : Hulu does produce some original movies, such as Happiest Season, Palm Springs (which was nominated for a Golden Globe), and Run. Foreign films on the platform include Shoplifters and A Breath Away. Despite Hulu’s efforts, Netflix currently offers the best movie library of any of the video streaming services. A dedicated movie streaming service offers more for cinephiles. For instance, The Criterion Channel’s and Mubi’s film libraries are much more substantial and heavily curated. Hulu’s documentary section features a lot of celebrity biopics; from The Beatles to B.B. King, there are documentaries about the life and times of many beloved musicians. Fashion documentaries on the service include The First Monday in May, Dior and I, Diana Vreeland: The Eye Has to Travel, and McQueen. Outdoors enthusiasts should check out Free Solo, the mountain-climbing documentary featuring fearless free solo climbers and sweeping shots of impossibly high cliffs.

Driveways isn’t simply one of the late Brian Dennehy’s final performances—it’s also one of his finest. In Andre Ahn’s touching indie, Dennehy is Korean War vet Del, who comes to befriend socially awkward young Cody (Lucas Jaye) after the boy and his mother Kathy (Hong Chau) take up temporary residence next door, cleaning out the pigsty that used to belong to Kathy’s deceased sister. All three of these characters are suffering in their own distinct ways, due to a combination of loss, loneliness and fear, and Ahn (working from Hannah Bos and Paul Thureen’s precise script) intertwines their plights with few contrivances and a potent measure of empathy, especially once Del and Cody begin developing an unexpected bond. Be it Kathy going through her sister’s things and cleaning a bathtub soiled by a cat’s corpse, or Del caring for his VFW pal Roger (Jerry Adler), who’s slowly losing his mind, the specter of death—and the memories summoned up by the end of the road—looms large over the proceedings, culminating in a shattering Dennehy speech of irreparable sorrow.

A rural village in the sertão comes under attack in this film from Juliano Dornelles and Kleber Mendonça Filho. To say more about the culprits would constitute a spoiler, but rest assured that Udo Kier is involved. Bacurau is a blood-pumping exploitation riff and a ferocious anti-colonialist protest, a movie in which a ragtag, uniquely Brazilian settlement proves itself to be more resilient than any corrupt politician or rapacious outsider. As an inadvertent coronavirus-era release, it also offers a message that’s the perfect mix of encouraging and unsettling — that communities can pull together where governments fail, but that a sense of community has to be earned.